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Chapter 03

Entextualization and Preparation in Patterson’s Variations for Double-Bass

...scores does not reflect a lack of care; nor is it merely cosmetic. In choosing to work this way Patterson underlines practice’s primacy, and notation’s embeddedness within it: My pieces, as they appear on paper, have neither material nor abstract...

References

Andersen, Eric. 2012. “In Mezzo a Quattro Tempi.” In Word Events: Perspectives on Verbal Notation, edited by John Lely and James Saunders, 79–82. London: Continuum. Anderson, Michael L. 2003. “Embodied Cognition: A Field Guide.” Artificial Intelligence 149...

Chapter 00

Chapter 0: The Ground

...play during a 1.2” improvisation? How should aspects of the images like color or proportion concretely affect the improvised sections? Why does the conventional notation so relentlessly tie the players in knots? However in performance, the intended opposition of notation...

Chapter 04

Invitation to Collaborate — Répondez s’il vous plaît!

...From one perspective, then, such performances may become sites for empractising ways of ‘being differently in the world’ based on a ‘recognition that alternatives to orthodox practices are available’ (Fischlin and Heble, The Other Side of Nowhere 11). (Born 2017,...

Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

...Andersen does not mention is that they specifically derive from partitus, past participle of the verb partire, which also means to share. This collective sense of the score contradicts the top-down allotment of parts suggested by Rutherford-Johnson’s definition of the...

Chapter Ω

Chapter Ω

...wander the website as, and as long as, they please. But despite the fact that the dissertation may not have a linear internal structure, the reader’s experience does, and her own path on and through it is bound to end...

Chapter 02

A Treatise Remix Handbook

...of stability. Differences in Time Remember that space does not correspond literally to time. The distance to the sun does not depend on only one speed; it depends on the route. Perhaps when interpreting it will be possible to select...

Chapter 01

Seeing the Full Sounding

...text, the film itself is the primary argumentational vehicle; these words may be taken as an introduction. In “Expressive Instructions”, a short but powerful chapter in his book The Craftsman (2008), Sennett compares three recipes by chefs Julia Child, Elizabeth...

About

...Darmstadt Summer Courses, the Arts Council of Catalunya, Goethe Institut, Hauptstadtkulturfonds Berlin, the Festival Acanthes, and the American Documentary Film Festival. He also co-curates the Berlin concert series KONTRAKLANG, and works with sound experience designer Charles Morrow Productions. www.christopherisnow.com...

Sample Page

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