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References

...1950: Afrological and Eurological Perspectives.” Black Music Research Journal 16 (1): 91–122. doi:10.2307/779379. ———. 2012. “In Search of Benjamin Patterson: An Improvised Journey.” Callaloo 35 (4): 979–92. doi:10.1353/cal.2013.0023. ———. 2013. “Critical Responses to ‘Theorizing Improvisation (Musically).’” Music Theory Online 19...

Chapter 00

Chapter 0: The Ground

...this dissertation, in order to highlight the transformation of my understanding of and creative approach to the field. Like a child’s papier-mâché volcano filled with vinegar and baking soda, Apples was built to erupt through the combination of two oppositional...

Chapter 03

Entextualization and Preparation in Patterson’s Variations for Double-Bass

...and White File to order and often gave them away for free, up until his scores were published together in an anthology edited by Benedikt Stegmayer (2012). In my opinion Patterson’s direct, unfussy approach to writing, publishing, and distributing his...

Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

...the other hand are countable, definitive, regulatory. The modern conventional score includes all the parts, or voices, arranged and synchronized in vertical order like soldiers in file. The score marks winners and losers in competitive sports. It defines success or...

Chapter Ω

Chapter Ω

...The End? Tactile Paths is modular in nature; as I mention in Chapter 0, its constituent chapters, or paths, can be traversed in any order. It might therefore seem odd to offer a conclusion, since readers are encouraged to...

Chapter 02

A Treatise Remix Handbook

...recordings, it is often taught in university courses and workshops throughout Europe and the US. 6 Particularly since 1999 – a period in which most of its commercial recordings were released – it has also undergone a critical renaissance 7...

Chapter 04

Invitation to Collaborate — Répondez s’il vous plaît!

...robust example of the cycle in order to offer the reader a more charitable view of the dynamics of Halprin’s model. In addition to illuminating the structure of the model, I hope my explanation supports Halprin’s claim that the book...

Chapter 01

Seeing the Full Sounding

...David explains through scene narrative, “impart[ing] technique through evoking the cultural context of this journey” (187) of cooking the chicken. Benshaw’s minimalistic and poetic recipe 4 uses metaphors “in order to give each action heavy symbolic weight” (193). In all...

About

...Darmstadt Summer Courses, the Arts Council of Catalunya, Goethe Institut, Hauptstadtkulturfonds Berlin, the Festival Acanthes, and the American Documentary Film Festival. He also co-curates the Berlin concert series KONTRAKLANG, and works with sound experience designer Charles Morrow Productions. www.christopherisnow.com...

Contact

...Please send comments, criticism, etc. to christopherisnow [at] gmail [dot] com...