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References

Andersen, Eric. 2012. “In Mezzo a Quattro Tempi.” In Word Events: Perspectives on Verbal Notation, edited by John Lely and James Saunders, 79–82. London: Continuum. Anderson, Michael L. 2003. “Embodied Cognition: A Field Guide.” Artificial Intelligence 149...

Chapter 00

Chapter 0: The Ground

A Personal Beginning In 2007, violist Mary Oliver and contrabassist Rozemarie Heggen invited me to write a piece for their duo incorporating improvisation. Despite my diverse experience writing chamber music, free improvising, interpreting, and working in a host...

Chapter 03

Entextualization and Preparation in Patterson’s Variations for Double-Bass

Introduction Most composers of notation for improvisers are improvisers themselves. This is no coincidence. As composer-pianist and improvisation scholar Vijay Iyer has noted, The most savvy composers writing for improvisors are those with personal experience as improvisors –...

Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

A Score can become a notch cut or line, an account kept, number of points made, set of twenty, a topic, piece of good fortune, worst in repartee, and much more. And not to forget a Partitura from...

Chapter Ω

Chapter Ω

The End? Tactile Paths is modular in nature; as I mention in Chapter 0, its constituent chapters, or paths, can be traversed in any order. It might therefore seem odd to offer a conclusion, since readers are encouraged...

Contact

...Please send comments, criticism, etc. to christopherisnow [at] gmail [dot] com...

Chapter 01

Seeing the Full Sounding

For the improviser, the physicality of producing sound (the hardware) is not a separate activity from the thoughts, emotions and ideas in music (the software). In the act of creation, there is a constant loop between the hierarchy...

Chapter 04

Invitation to Collaborate — Répondez s’il vous plaît!

...from the previous days. 20 From (R), performers proceed to (V) on the way to (P). As I mentioned earlier, valuaction for an improviser can take place in real time as she mediates what she hears as she plays. In...

About

...Darmstadt Summer Courses, the Arts Council of Catalunya, Goethe Institut, Hauptstadtkulturfonds Berlin, the Festival Acanthes, and the American Documentary Film Festival. He also co-curates the Berlin concert series KONTRAKLANG, and works with sound experience designer Charles Morrow Productions. www.christopherisnow.com...