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References

...2005. fOKT. Unpublished score. ———. 2011. “Construction of CONSTRUCTION.” http://richardbarrettmusic.com/CONSTRUCTIONessay.pdf. ———. 2014. “Notation as Liberation.” TEMPO 68 (268): 61–72. doi:10.1017/S004029821300168X. Barrett, Richard, and Paul Obermayer. 2000. “Response to Questions from Nic Collins for Noisy.org.” http://furtlogic.com/node/7. ———. 2009. “fORCH.” http://furtlogic.com/nodeorder/term/14. Bartlett,...

Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

A Score can become a notch cut or line, an account kept, number of points made, set of twenty, a topic, piece of good fortune, worst in repartee, and much more. And not to forget a Partitura from...

Chapter 03

Entextualization and Preparation in Patterson’s Variations for Double-Bass

...any previous notion of extended technique then in force in the world of contemporary classical music” (2014, 95); elsewhere it is referred to, along with other early pieces by Patterson such as Paper Piece (Stegmayer 2012, 59-61), as a historical...

Chapter 00

Chapter 0: The Ground

...inquiry that link multiple artists or pieces. They constitute the territory along which paths are inscribed. All of the paths are ordered numerically for the sake of reference and convenience, but the argument of Tactile Paths does not proceed teleologically....

Chapter Ω

Chapter Ω

...it at all. But no matter – what interests me here, following philosopher Gary Peters, is finding “new beginnings again, and again… eternally” (2009, 170). So, without further ado… Review In this dissertation, I have explored a range of experimental...

Chapter 04

Invitation to Collaborate — Répondez s’il vous plaît!

...and scoring alternatives as test runs to disclose options and allow for valuaction and selectivity to operate” (124). Contains questions regarding (R): “Stable of archt’s? – no review of aesthetics – archt’s to do their own ‘thing’. Materials?” (130) John-Alder:...

Chapter 02

A Treatise Remix Handbook

...could establish the thread I counted on finding in the fog. Conversely, qualities irrelevant to Treatise, such as recording artifacts or the simultaneous sounding of a particular instrument in different ensembles, tended to audibly link recordings much more clearly than...

About

...continuum has been published in Open Space Magazine, The Improvisor, and Critical Studies in Improvisation, and has been presented at major universities and international conferences in North America, Europe, and India. A book chapter co-written with Mathias Maschat is forthcoming...

Chapter 01

Seeing the Full Sounding

For the improviser, the physicality of producing sound (the hardware) is not a separate activity from the thoughts, emotions and ideas in music (the software). In the act of creation, there is a constant loop between the hierarchy...