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References

...2005. fOKT. Unpublished score. ———. 2011. “Construction of CONSTRUCTION.” http://richardbarrettmusic.com/CONSTRUCTIONessay.pdf. ———. 2014. “Notation as Liberation.” TEMPO 68 (268): 61–72. doi:10.1017/S004029821300168X. Barrett, Richard, and Paul Obermayer. 2000. “Response to Questions from Nic Collins for Noisy.org.” http://furtlogic.com/node/7. ———. 2009. “fORCH.” http://furtlogic.com/nodeorder/term/14. Bartlett,...

Chapter 03

Entextualization and Preparation in Patterson’s Variations for Double-Bass

...shifting, contingent, and reflective – might be best termed improvisation. Entextualization Explaining the performative, improvisational nature of Variations’ notation – as well as that of most notation for improvisers – can benefit from the notion of entextualization. A brief historical...

Chapter 00

Chapter 0: The Ground

...score to create dynamism; rather she uses it to modulate ongoing dynamism 4 and changes it in the process. In this sense, Tactile Paths de-emphasizes the peremptory aspect of notation underlined by Cardew and instead stresses the exploration of those...

Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

...Documents such as tape recordings of improvisation are essentially empty, as they chiefly preserve the form that something took and give at best an indistinct hint as to the feeling and cannot convey any sense of time and place. […]...

Chapter Ω

Chapter Ω

...methods fit best within improvisers’ environments. A basic respect and sympathy for the score is necessary for this transformation to occur; however, integrity in performance cannot be measured on the axis of faithfulness to either symbols on the page or...

Chapter 04

Invitation to Collaborate — Répondez s’il vous plaît!

...begins; and its route through the diagram. Through these factors, the model makes visible what scores do – their effects on the whole creative process. For Halprin, an important consequence of visualizing scores’ behavior is the ability to identify whether...

Chapter 02

A Treatise Remix Handbook

...by collecting a library of fifteen commercial recordings, six archival and broadcast recordings, and a few dozen more published online. 9 (Ultimately a total of twenty recordings were used; they are listed in Source Material.) The library encompassed a vast...

Chapter 01

Seeing the Full Sounding

...David explains through scene narrative, “impart[ing] technique through evoking the cultural context of this journey” (187) of cooking the chicken. Benshaw’s minimalistic and poetic recipe 4 uses metaphors “in order to give each action heavy symbolic weight” (193). In all...

About

...Darmstadt Summer Courses, the Arts Council of Catalunya, Goethe Institut, Hauptstadtkulturfonds Berlin, the Festival Acanthes, and the American Documentary Film Festival. He also co-curates the Berlin concert series KONTRAKLANG, and works with sound experience designer Charles Morrow Productions. www.christopherisnow.com...